JRP-ringier

Savage Jon, 2011

Scott King moves fluidly back and forth between art and design. As Art Director of i-D and Creative Director of Sleazenation magazines (for which he was awarded Best Cover and Best Designed Feature of the Year prizes), King's design work is already well-known around the world. As an artist, King plays fast and loose with twentieth-century icons: in Brian, for example, a viewer recognizes at a glance Lenin's familiar visage, with the face turned sternly to the side, the moustache plumping his marblesque upper lip, but the face on this white bust bears eye makeup and a hint of blush, and feathers sprout from the neck on either side. (Lenin as Brian Eno in his early Roxy Music days, King explains.) Often, King's art seems virtually indistinguishable from his design work, as in his maps whose cheerfully colored Marimekko-ish dots represent domestic murders. This monograph is dedicated to the many hats of Scott King, whose work has been exhibited widely in London, New York and European galleries including KW Berlin, Portikus, White Columns, Kunstverein Munich and The Museum of Modern Art, New York. Подробнее

Dexter Dalwood

Bracewell Michael, 2011

Michael Jackson's Neverland ranch; Camp David; the greenhouse where Kurt Cobain's body was found; Sharon Tate's house; Jackie Onassis' yacht. If these secluded, celebrity-drenched sites, thick with the magic of fame, are among the defining locales of these times, then British artist Dexter Dalwood (born 1960) is the history painter of our era. His bold, busy canvases usually begin their lives as small collages, literally cut and pasted from the pages of magazines and art history. In the subsequent large-scale works, the abrupt disjunctions remain, repurposing the genre of history painting to express the complex nature of iconicity in our age. With 100 color images, this volume provides a first overview of this major artist's work, including paintings and collages made over the last 12 years. Essays by Michael Bracewell and Terry R. Meyers, and an extensive interview with the artist by Martin Clark and Florence Derieux, complete the book. Подробнее

Hans Ulrich Obrist: A Brief History of Curating

Birnbaum Daniel, 2011

Part of JRPRinger's innovative Documents series, published with Les Presses du Reel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field — from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs — with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, the image we have of the curator today: the curator-as-artist, a roaming, freelance designer of exhibitions, or in his own witty formulation, a spiritual guest worker... If artists since Marcel Duchamp have affirmed selection and arrangement as legitimate artistic strategies, was it not simply a matter of time before curatorial practice — itself defined by selection and arrangement — would come to be seen as an art that operates on the field of art itself? Подробнее

David Noonan

Bovier Lionel, 2013

Australian artist David Noonan (born 1969) uses found imagery as the basis for his screenprinted canvases and sculptures. Enigmatic figures, printed in grainy black and white or sepia, pose in these elaborate artworks, invoking covert and futuristic rituals. This monograph will be the first comprehensive overview of Noonan's work. Подробнее

Liam Gillick — Proxemics: Selected Writings (1988-2004)

Bovier Lionel, 2011

No less versatile in his writing than in his installations, films, architecture, and sculpture, Liam Gillick unites his critical essays in this collection, most of which were originally printed in art magazines or exhibition catalogues. Lauded for his ingenious reinterpretation of Conceptual and Minimalist art, Liam Gillick has often used language, whether in type on a wall or on a page, as a site of artistic, theoretical, and political intervention. He reveals himself here as a witness of and major actor in the largely European 1990s art scene that included Philippe Parreno, Pierre Huyghe, Carsten H ller, Angela Bulloch, Douglas Gordon, and Rirkrit Tiravanija. A key publication of discussions, references, and artistic engagements of the 1990s, the book also allows an examination of the renewed importance at this time of Felix Gonzalez-Torres, John Baldessari, and Allen Ruppersberg. Подробнее

Alfredo Jaar: The Politics of Images

Didi-Huberman Georges, 2011

Spanning from the 1970s until today, this compelling new monograph traces the development of the respected Chilean-born, New York-based conceptualist — from his earliest public interventions to his latest installations. Some of the highly political subjects range from the plight of Amazonian gold miners to the 1994 genocide in Rwanda, and there are several previously unpublished works that the artist created in his hometown of Santiago during Pinochet's repressive military dictatorship, as well as numerous works made by collating and rethinking press clippings. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility. Texts by art historians Georges Didi Huberman, Griselda Pollock and Nicole Schweizer and philosopher Jacques Ranciere. Подробнее

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