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Savage Jon
Savage Jon
Scott King: Art Works
Savage Jon
,
2011
Scott King moves fluidly back and forth between art and design. As Art Director of i-D and Creative Director of Sleazenation magazines (for which he was awarded Best Cover and Best Designed Feature of the Year prizes), King's design work is already well-known around the world. As an artist, King plays fast and loose with twentieth-century icons: in Brian, for example, a viewer recognizes at a glance Lenin's familiar visage, with the face turned sternly to the side, the moustache plumping his marblesque upper lip, but the face on this white bust bears eye makeup and a hint of blush, and feathers sprout from the neck on either side. (Lenin as Brian Eno in his early Roxy Music days, King explains.) Often, King's art seems virtually indistinguishable from his design work, as in his maps whose cheerfully colored Marimekko-ish dots represent domestic murders. This monograph is dedicated to the many hats of Scott King, whose work has been exhibited widely in London, New York and European galleries including KW Berlin, Portikus, White Columns, Kunstverein Munich and The Museum of Modern Art, New York.
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Punk 45: The Singles Cover Art of Punk 1976-80
Savage Jon
,
2013
This book is a revelatory guide to hundreds and hundreds of original 7 record cover sleeve designs visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century. Punk Rock 45 Soundsystem! is introduced (and co-compiled) by Jon Savage, author of the acclaimed definitive history of punk, Englands Dreaming. As well as the encyclopaedic visual imagery featured inside, the book also includes a number of interviews with celebrated designers involved in creating punks original iconic imagery. The revolutionary do-it-yourself ethic of punk was applied to the aesthetic of design as much as it was to music, and record sleeves acted as lo-fi signifiers of anarchy, style, fashion, politics and more with an urban and suburban invective courtesy of the 1000s of new bands — punk, post-punk, pre-punk, nearly-punk and more — that emerged at the end of the 1970s. This book is an exhaustive, thorough and exciting celebration of the stunning artwork of punk music everything from the most celebrated and iconic designs through to the stark beauty of the cheapest do-it-yourself lo-fi obscurities.
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