Rubin James Henry

Rubin James Henry, 2010

Few artists have created as much controversy or survived it with greater fame than Edouard Manet. In his day, the avant-garde was not only a challenge to the traditions of art, but it was also a gunshot fired at society as a whole. With his painting Olympia (1869), Manet was to become, to quote Degas, as famous as Garibaldi. Yet how the urbane and diffident son of a bourgeois family became the father of both realism and impressionism is a complex and fascinating story that has too often been reduced to textbook cliches. As Manet has rightly become recognized as a touchstone not only for historical change but also for interpretations of how that change came about, his individual story has become all the more relevant to the study of art history. Moreover, far from being an artist to shrink behind his work, one of Manet's most characteristic practices was to leave an indelible trace of his own personal identity within his paintings, as illustrated throughout the volume by eminent scholar James H. Rubin. This lushly illustrated volume, Manet: Initial M, Hand, and Eye, is presented in a handsome box set, and offers a comprehensive and original angle of study on the great master. Подробнее

Impressionism

Rubin James Henry, 2011

Celebrations of city streets; tranquil vistas of the countryside and seashore; enchanting images of the leisured classes in domestic interiors or at fashionable Parisian cafes — the work of the Impressionists gives pleasure to art lovers everywhere. But while Impressionism today may appear natural and effortless, contemporaries were shocked by the loose handling of paint and the practice of painting out-of-doors. In defiance of the conservative official Salon, the Impressionists — led by Edouard Manet, Claude Monet, Pierre-Auguste Renoir and Edgar Degas — sought to capture the immediacy of experience. This comprehensive study brings together the most recent research on Impressionism. James Rubin makes accessible its philosophical, political and social context, from Baudelaire's conception to the painter of modern life, to the influences of photography, the burgeoning art market, and contemporary notions of gender and race. As well as the acknowledged masters, our attention is drawn to lesser-known Impressionists such as Berthe Morisot, Mary Cassat and Gustave Caillebotte. Rubin also examines the work of Paul Cezanne and his relationship to the group. Finally, the book explores the legacy of Impressionism and its enduring appeal. Подробнее

Courbet

Rubin James Henry, 2011

Few artists have been so directly invoved in the events of their time as Gustave Courbert. Amid the social transformations of the mid-19th century, Courberts unconventional and stark paintings came to embody values with radical political implications. Rebuffed by the Parisian art world and attacked as a Realist, he seized upon that name to assert his sympathy for ordinary citizens and their down-to-earth experience. Coubert painted subjects from the world around him: from rural labourersand family gatherings to sensuous landscapes, hunting scenes, still lifes, portraits and erotic nudes. James Rubin addresses the full range of Courbet's work and combines a close reading of the paintings with a discussion of the personal, political, economic and social circumstances in which they were created. Подробнее

Rubin James Henry

Книги

Художественная литература

Фантастика

Детектив

Детская литература

Юмор. Комиксы.

Кулинария

Эротика и секс (18+)

Семья