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Ricci Stefania
Ricci Stefania
Greta Garbo: The Mystery of Style
Ricci Stefania
,
2010
The never-before-published wardrobe of a timeless star, for lovers of fashion, photography and film history. Greta Garbo’s influence over fashion has transcended time. Her dresses, suits, impeccably-tailored coats with a slightly masculine look and the indispensable accessories (shoes, bags, glasses, foulards) has created a style emulated, imitated, even occasionally reviled, but never fully examined. For the first time a catalogue of great glamour and a travelling exhibition detail this extraordinary wardrobe whose minimalism fits so well with current fashion trends. Edited by Stefania Ricci, the Director of Museo Salvatore Ferragamo in Florence, as the Divine Greta Garbo was a Ferragamo client from the 1920s until her death, and the founder of the Italian maison designed hundreds of original, classical, futuristic, hand-made shoes and sandals exclusively for her, most of them shown here for the first time. A stunning selection of black and white Garbo portraits by celebrated photographers completes the volume.
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Marilyn
Ricci Stefania
,
2012
The Museo Ferragamo in Florence pays homage to Marilyn Monroe with a major exhibition and a catalogue dedicated to her a half century after her death. Like other divas of the silver screen (Audrey Hepburn, Greta Garbo), Marilyn also loved to wear Salvatore Ferragamo shoes. The exhibition and catalogue dedicated to her are the result of long research and preparatory work, presenting items from the actress' wardrobe worn on the set or in her private life, as well as important documents that reveal the actress' managerial side, her skill and determination in building and grooming her success. A well endowed collection of photographs of Marilyn taken in her day-to-day life are juxtaposed with the power of the archetype and the endurance of the myth, the greatness of which perhaps resides in the stars double nature as spiritualized female and pop icon. Measuring themselves against the myth and the chronicles, the curators have sought to interpret the genesis of certain famous photographs (by Beaton, Stern, Barris, Greene) portraying Marilyn in classic poses. They have compared these portraits with famous works of art from the past, representing older expressions of similar poses and expressions, from the balanced pathos of French painter Jean-Baptiste Greuzes Alessandro morente to Botticellis Venus.
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