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Jury David
Jury David
Letterpress: The Allure of the Handmade
Jury David
,
2011
Newly revised and updated with luscious and inspiring images of contemporary work, this book allows today's graphic designer to rediscover the creative potential of letterpress. Thanks to its physical presence on the page, letterpress has a unique and visual impact, and offers a powerful means of expressing ideas through a more intelligent use of type. Despite the dominance of computer typesetting and printing in trade publishing, private letterpress publishers are on the increase. This timely book celebrates the diversity of the original work being produced by graphic designers and typographers using letterpress around the world. It examines US and European private presses, top international graphic designers working with letterpress, the use of letterpress as a commercial medium in developing countries, and new developments in technology. A celebration of the handmade design aesthetic currently enjoying a period of revival, Letterpress is an indispensable reference for both professional and amateur creatives, and all letterpress enthusiasts.
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What is Typography?
Jury David
,
2006
Breaks down the anatomy of typography to explore tools and processes, methods of organizing the mechanics of type, and the means of arranging and displaying type. This book also looks at how different media, and consequent reproduction processes, underpin every aspect of typographic design. It showcases portfolios of the foremost practitioners.
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Graphic Design Before Graphic Designers
Jury David
,
2013
Who first coined the phrase graphic design, a term dating from the 1920s, or first referred to themselves as a graphic designer are issues still argued to this day. What is certain is that the kinds of printed material a graphic designer could create were around long before the formulation of such a convenient, if sometimes troublesome, term. Here David Jury explores how the jobbing printer who produced handbills, posters, catalogues, advertisements, and labels in the eighteenth, nineteenth, and early twentieth centuries was the true progenitor of graphic design, rather than the noble presses of the Arts and Crafts movement. Based on original research and aided by a wealth of delightful and fully captioned examples that reveal the extraordinary skill, craft, design sense, and intelligence of those who created them, the book charts the evolution of print into graphic design. It will be of lasting interest to graphic designers, design and social historians, and collectors of print and printed ephemera alike.
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