Henri Cartier-Bresson

Line by Line: The Drawings of Henri Cartier-Bresson

Henri Cartier-Bresson, 1989

Some 15 years ago Cartier-Bresson decided to lay down the Leica and return to his first love painting and drawing to which he brings the same magic that infused his famous photographs. The foreword by John Russell (chief art critic, The New York Times) and introduction by Jean Clair. Подробнее

The Decisive Moment

Henri Cartier-Bresson, 2014

The Decisive Moment originally titled Images a la Sauvette — is one of the most famous books in the history of photography, assembling Cartier-Bresson's best work from his early years. Published in 1952 by Simon and Schuster, New York, in collaboration with Editions Verve, Paris, it was lavishly embellished with a collage cover by Henri Matisse. The book and its images have since influenced generations of photographers. Its English title has defined the notion of the famous formal peak in which all elements in the photographic frame accumulate to form the perfect image. Paired with the artist's humanist viewpoint, Cartier-Bresson's photography has become part of the world's collective memory. This new publication is a meticulous facsimile of the original book. It comes with an additional booklet containing an essay on the history of The Decisive Moment by Centre Pompidou curator Clement Cheroux. Подробнее

Henri Cartier-Bresson in India

Henri Cartier-Bresson, 2008

Henri Cartier-Bresson’s record of his lifelong fascination with India contains the very best of his photographs of that country, images shaped by an eye and a mind legendary for their empathy and ability to get to the heart of the matter. The first pictures were taken in 1947 at the time of Independence; the last when the photographer was well into his eighties. Cartier-Bresson’s talent, his famous ‘mantle of invisibility’ and his good connections with such figures as Nehru and the Mountbattens allow him to portray all the contradictions and variety of India. Much space is given to his famous reportages, such as the astonishing sequence on the death and cremation of Gandhi, and the refugee camps that formed following the Partition. Time after time, Cartier-Bresson captures the essence of each event. But above all, his skill selects the apparently ordinary faces and scenes that define the spirit of a country. Подробнее

Die frühen Photographien 1926-1934

Henri Cartier-Bresson, 2007

When 24-year old Henri Cartier-Bresson acquired a Leica camera in 1932, his casual interest in photography turned into passion. This volume explores the photographer’s early work documenting the poor and disenfranchised in Italy, Spain, Eastern Europe, and Mexico. Marked by tangible empathy and solidarity with the models, it is an original body of work to be rediscovered. Подробнее

Meisterwerke

Henri Cartier-Bresson, 2004

The 50 most famous iconic photographs by Henri Cartier-Bresson, doyen of picture journalism. Подробнее

Henri Cartier-Bresson: Scrapbook

Henri Cartier-Bresson, 2006

Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this time, The Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought was a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition, and decided to review his entire work and curate it himself. In 1946 he travelled to New York with about 300 prints in his suitcase, bought a scrapbook, glued each one in, and brought that album to MoMA’s curators. His first exhibition, a celebration of his survival, opened on 4 February 1947. In the 1990s, Cartier-Bresson once again returned to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished restoring them, making it possible to bring a large body of extraordinary, hitherto unpublished work to the public, images that have finally become a memorial collection after all. Подробнее

Henri Cartier-Bresson

Henri Cartier-Bresson, 1997

Henri Cartier-Bresson reveals — as only a few great artists have done consistently — the richness, the sensibilities, and the varieties of the human experience in the twentieth century. This volume of Aperture's Masters of Photography series confirms the genius of the photographer whose pictures with the new, smaller hand-held cameras and faster films defined the idea of the decisive moment in photography. Cartier-Bresson's imagery is intimate, but it is also utterly respectful of his subjects. In his wide travels throughout the world, he has captured universal meanings through the glimpses into the lives of individuals in scores of countries. Each photograph is in itself a masterpiece of dramatic form; taken together, Cartier-Bresson's works constitute a personal history of epic scope. Henri Cartier-Bresson presents forty-two of the artist's photographs, each recognized a masterpiece of the medium. In addition, Cartier-Bresson offers a brief statement of his own artistic ethos, his striving for the spontaneity through intuition that imbues his work. Подробнее

Henri Cartier-Bresson

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