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Helmut Newton
Helmut Newton
Big Nudes (English/German)
Helmut Newton
,
2004
In his monumental nudes of the early 80s, Helmut Newton shocked the world with a new image of women: self-assured, powerfully staged, and closer to the aesthetics of body building than fashion and luxury, Newton’s women flex their muscles in a high-heels “Here we come”. Here this Newton classic comes in a new reprint.
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Private Property
Helmut Newton
,
1994
Through their inimitable mixture of eroticism, subdued elegance and decadent luxury, Newton's pictures reflect in the highest aesthetic quality an obsession with human vanity — from female exhibitionism to male voyeurism. With technical perfection, an extremely detailed style and a relentless directness, Newton staged the neverending psychodrama that contrasts glamour with the need for admiration, self-confidence with the desire for self-presentation, and Eros with Thanatos. Private Property was originally a three-part portfolio containing 45 black-and-white photographs. It includes Newton's best work from the period 1972-1983 — an exquisite assortment of fashion shots, portraits, and erotic motifs which are all based on real locations and luxurious life styles. The entire sequence of picture from the Private Property portfolio is included in our book which first appeared in 1989.
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Best Of Helmut Newton
Helmut Newton
,
1993
Helmut Newton's best photographic work from the 1960s to the 1990s traveled around Europe in a major retrospective in 1993. The catalogue of that show has now run to a 4th edition. It contains all the icons of Newton's special fields of interest including fashion, nudes, portraits as well as works for which he became world famous — the sensational fashion photos for the British magazine Vogue, Liz Taylor with a parrot in a swimming pool, Helmut Berger naked at his fireplace, Helmut Kohl with a German oak, Salvador Dali on an IV drip, the «Big Nudes» and some of his later macabre wax figures... Newton was a genius for not being blinded by the glamour and the masquerade of pretence that were prevalent in the world in which he lived. On the contrary, he illuminated and exposed that world with bright light and displayed it in brilliant photographs which contain much more than they show.
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