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Galerie Berlinische
Galerie Berlinische
Boris Mikhailov
Galerie Berlinische
,
2012
Since starting out as a photographer in the mid-1960s, Boris Mikhailov (b. Kharkov, Ukraine, 1938; lives and works in Kharkov and Berlin) has built a wide-ranging and strikingly multifaceted oeuvre. A virtuoso of his art, he has explored a great variety of ways of using the medium to paint a picture of his immediate surroundings that is as unsparing as it is ironic. His unflagging critical engagement of photographic techniques and the work with different cameras and stylistic devicesas well as the alternation in his oeuvre between conceptual photography and documentary approaches render him the preeminent present-day photographer whose work reaches back to the Soviet era. The book — which accompanies his largest exhibition in Germany to date — brings together a selection of works that includes the experimental pictures of his early years as well as his most recent photographs created in Berlin. With essays by Thomas K hler, Christina Landbrecht, Olga Sviblova, and Jan Verwoert.
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Vienna-Berlin: Art of Two Urban Centers from Schiele to Grosz
Galerie Berlinische
,
2013
From the beginning of the 20th century to the period between the two world wars, Berlin and Vienna witnessed an explosion of artistic productivity and experimentation. Featuring works by Schiele, Hausmann, Hoffmann, Kokoschka, Dix, Grosz, Liebermann, Kirchner, and others, this volume documents how two very different cities developed artistic traditions that were unique to their individual cultures, while at the same time borrowing from each other's accomplishments. Starting with the Secessionist movements of both cities, this generously illustrated volume compares and contrasts Berlin's realism with Vienna's ornamentalism. World War I led to greater proximity between the two nations and to active artistic exchanges between them, both in relation to the rise of the Neue Sachlichkeit or New Objectivity and, in particular, in the context of stagecraft. Gaining in influence at the same time was Viennese kineticism, whose counterpart in Berlin was the Dada movement, which examined contemporary social issues in a critical and subversive manner. Designed to echo the stylistic elements of the early 20th century, this beautiful and unique book traces an important cultural exchange that helped shape both cities and had lasting effects on the development of modern art.
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