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Franklin David
Franklin David
The Art of Parmigianino
Franklin David
,
2010
The sheer beauty of the work of sixteenth-century artist Parmigianino (1503-40) makes it easy to imagine that he discovered his style without any effort. But nothing so elegant as his drawings and paintings could have been achieved effortlessly. A close study of the artist's work, particularly his drawings, reveals the sources of his style and the creative struggles he endured. This lavishly illustrated book offers a comprehensive reassessment of Parmigianino's work as a draftsman, discussing in detail more than eighty of the artist's works on paper selected from collections around the world. Among Renaissance artists, Parmigianino was perhaps more conscious than any of the potential of the graphic arts to convey, and indeed broadcast, complex ideas. He explored this potential by means of his numerous drawings and through the etchings he produced on his own as well as through the engravings and chiaroscuro that were made after his designs. In these media, the artist's influence travelled farther and wider than it could have through his paintings alone. This book coincides with the quincentenary of the artist's birth in Parma and accompanies an exhibition at the National Gallery of Canada, Ottawa, from October 3, 2003 to January 4, 2004, and at the Frick Collection, New York, from January 27 to April 18, 2004.
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Caravaggio and His Followers in Rome
Franklin David
,
2011
The Italian artist Caravaggio (1571-1610) had a profound impact on a wide range of baroque painters of Italian, French, Dutch, Flemish, and Spanish origin who resided in Rome either during his lifetime or immediately afterward. This captivating book illustrates the notion of Caravaggism, showcasing 65 works by Peter Paul Rubens and other important artists of the period who drew inspiration from Caravaggio. Also depicted are Caravaggio canvases that fully exhibit his distinctive style, along with ones that had a particularly discernible impact on other practitioners. Caravaggio's influence was greatest in Rome, where his works were seen by the largest and most international group of artists, and was at its peak in the early decades of the 17th century both before and after his untimely death at the age of 39. Not since Michelangelo or Raphael has one European artist affected so many of his contemporaries and over such broad geographic territory. Essays by an array of major Caravaggio scholars illuminate the underlying principles of the exhibit, reveal how Caravaggio altered the presentation and interpretation of many traditional subjects and inspired unusual new ones, and explore the artist's legacy and how he irrevocably changed the course of painting.
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The Cleveland Museum of Art
Franklin David
,
2012
The word museum comes from the Greek word for a temple dedicated to the muses: history, astronomy, dance, music, comedy, tragedy, and lyric, epic, and religious poetry. Each of these muses is in evidence at the Cleveland Museum of Art. Few public collections can boast Cleveland's concentration of quality, rarity, and worldwide renown. Dedicated in 1916 for the benefit of all the people forever, the museum is home to a constellation of masterpieces — works that define their medium, that define our experience of art. In The Cleveland Museum of Art new director David Franklin offers a personal tour of some of his favourite objects, selected from holdings that span 6,000 years of artistic achievement. Each entry offers a reflection on the work of art, explaining why it is one of his highlights.
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