Davidson Bruce

Bruce Davidson: Journey of Consciousness Over the course of his long career Bruce Davidson has travelled the world making reportage stories both on assignment as a member of the Magnum agency and on subjects of personal interest. A few years ago he returned to his archive of negatives housed in a room in his Manhattan apartment and began a ritual of revisiting each and every one of the stories he had made, from his work as a student in 1954 to his urban landscapes in Los Angeles in 2009. Printing in his darkroom alongside the archive, he began to elaborate a very personal selection, discovering forgotten images and throwing new light onto some of his most famous series. Outside Inside is the result of this work, a sumptuous three volume box set with fifty-three chapters over 800 pages. Each chapter is introduced by a short text written by Davidson himself. The result is a celebration of the development of a master of the medium and an autobiography, a photographers life seen through his work. Bruce Davidson began taking pictures at the age of ten in Oak Park, Illinois. He continued to further his exploration of photography at Rochester Institute of Technology, followed by Yale University. He was later drafted into the military, stationed in the Arizona desert and then sent to a unit near Paris, where he met Henri Cartier-Bresson. When he left military service in 1957, Davidson freelanced for LIFE, and in 1958 he became a member of Magnum. His numerous awards include a Guggenheim Fellowship (1962) and the first National Endowment for the Arts in Photography (1967). His work has been extensively published and included in many major fine art collections. Most recently, Steidl published England/Scotland 1960 and Circus. Подробнее
England / Scotland 1960 In 1960, after an intense year photographing a notorious Brooklyn street gang The Jokers, Bruce Davidson decided to remove himself from the tension and depression of that work. He received an assignment to photograph Marilyn Monroe during the making of John Houston's The Misfits in the Nevada desert, and then travelled to London on commission for Queen magazine. Published by Jocelyn Stevens, Queen was devoted to British lifestyle and Davidson was charged, with no specific agenda, to spend a couple of months touring England and Scotland to create a visual portrait of the two countries. England / Scotland 1960 offers a poetic insight into the heart of English and Scottish cultures. Reflecting a post-warera in which the revolutions of the 1960s had not quite yet entered the mainstream, Davidson's photographs reveal societies driven by difference — the extremes of city and country life, of the landed gentry and the common people. Published for the first time in its entirety in 2005, this new edition has a larger ideal format chosen by Davidson initially for his Black & White (2012), and now the standard size for his future publications with Steidl. Подробнее
In Color This volume presents Bruce Davidson's personal selections from his lesser-known color archive. Ranging from a period of fifty-six years and counting, these images are representative of the photographers color career. Assignments from various magazines (Vogue, National Geographic, Life magazine) and commercial projects led him to photograph fashion (early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax (1997), and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in Chicago, and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited him to document the making of his film Zabriskie Point. Davidson also continued to pursue personal projects, e.g. photographing the Yiddish writer and Nobel Prize laureate Isaac Bashevis Singer (197275), the New York City subway (1980), and Katzs Delicatessen (2004). Often staying on in a country after an official assignment, he documented Welsh coalfields, family holidays in Martha's Vineyard, and travelled through Patagonia and Mexico. Подробнее

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