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Collins Wilkie
Collins Wilkie
Moonstone
Collins Wilkie
,
2001
The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.
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Basil
Collins Wilkie
,
2009
In Basil's secret and unconsummated marriage to Margaret Sherwin, and the consequent horrors of betrayal, insanity, and death, Collins reveals the bustling, commercial London of the first half of the nineteenth century. Collins' treatment of adultery shocked contemporary reviewers, and even today the passionate and lurid atmosphere he created has the power to disturb the modern reader.
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The Woman in White
Collins Wilkie
,
2012
'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth... stood the figure of a solitary Woman, dressed from head to foot in white. The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism. The Penguin English Library — 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
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The Moonstone
Collins Wilkie
,
2012
This is the «Penguin English Library Edition» of «The Moonstone» by Wilkie Collins. 'Here was our quiet English house suddenly invaded by a devilish Indian Diamond — bringing after it a conspiracy of living rogues, set loose on us by the vengeance of a dead man'. When Rachel Verinder's birthday present — the Moonstone, a large Indian diamond — is stolen at her party, suspicion and the diamond's mysterious curse seem set to ruin everyone and everything she loves. Only Sergeant Cuff's famous detective skills offer any hope of peace and a future for them all. The intricate plot and modern technique of multiple narrators made Wilkie Collin's 1868 work a huge success in the Victorian sensation genre. With a reconstruction of the crime, red herrings and a 'locked-room' puzzle, «The Moonstone» was also a major precursor of the modern mystery novel. «The Penguin English Library» — 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
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No Name
Collins Wilkie
,
2009
After the tragic deaths of their parents, Magdalen and Norah discover the devastating news that they are both illegitimate and not entitled to any inheritance. Norah is forced to become a governess to earn her keep but Magdalen has grander plans and embarks on an elaborate scheme of revenge against her cold-hearted relatives.
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The Woman in White
Collins Wilkie
,
2006
Wilkie Collins' classic story, The Woman in White, is one of the great mystery thrillers of the nineteenth century and beyond. It is a wonderful combination of rich characterisation and cunning melodrama which ensnares the reader from its opening pages. The novel features one of the strongest heroines of the Victorian Age, Marian Halcombe, who was a revelation for the readers of the time. Although not conventionally attractive, she is a tough, determined and feisty soul, well equipped to travel down the dark and dangerous pathway fate has decreed for her. Also featured is one of the great villains of all literature, the sly, smooth and corpulent Count Fosco, whose eccentric habits both chill and amuse. Since its publication, The Woman in White has never been out of print and has been the subject of numerous theatrical, film and television adaptations, including most recently a musical version by Andrew Lloyd Webber.
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The Woman in White
Collins Wilkie
,
2007
The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
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The Woman in White
Collins Wilkie
,
2008
The novel is dominated by two of the finest creations in all Victorian fiction — Marian Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant 'Napoleon of Crime'. A masterwork of intricate construction, The Woman in White set new standards for suspense and excitement, and achieved sales which topped even those of Dickens, Collins's friend and mentor.
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