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Christiansen Keith
Christiansen Keith
The Renaissance Portrait: From Donatello to Bellini
Christiansen Keith
,
2011
In the words of the historian Jacob Burkhardt, 15th-century Italy was 'the place where the notion of the individual was born'. In keeping with this notion, early Renaissance Italy also hosted the first great age of portraiture in Europe. Artists working in Florence, Venice, and the courts of Italy created magnificent portrayals of the people around them — heads of state and church, patrons, scholars, poets, artists — concentrating for the first time on producing recognizable likenesses and expressions of personality. Written by a team of international scholars, «The Renaissance Portrait» provides new research and insight into the early history of portraiture. Unlike most surveys of Renaissance art, it introduces and studies in detail the three major Italian art centres of the 15th century, exploring how the rapid development of portraiture was closely linked to Renaissance society and politics, ideals of the individual, and concepts of beauty. Close to 190 works, in media ranging from painting and manuscript illumination to marble sculpture and bronze medals, created by artists that include Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Giovanni Bellini and Antonello da Messina, are illustrated and extensively discussed. Accompanying a major exhibition in Berlin and New York and featuring artworks from international museums and collectors, «The Portrait in Renaissance Italy» is a visual and literary delight to scholars and to any lover of Renaissance art.
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From Van Eyck to Bruegel: Early Netherlandish Painting in the Metropolitan Museum of Art
Christiansen Keith
,
2000
From about 1425, artists in the region which is now Belgium and The Netherlands created paintings which were startling in their realism and innovative approach. Published to accompany an exhibition at The Metropolitan Museum of Art, New York, this book celebrates one of the great epochs of western art, from the work of the inventor of oil painting, Jan van Eyck, to that of the highly original genius, Peter Bruegel. More than 100 colour reproductions, with individual commentaries, present the accomplishments of the major figures of the period, including Robert Campin, Rogier van der Weyden, Gerard David and Hans Memling. Essays by specialists in the field discuss various aspects of the subject, and biographies are provided for all the artists represented, together with comparative illustrations of prints and paintings from collections other than that of The Metropolitan.
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Piero Della Francesca: Personal Encounters
Christiansen Keith
,
2014
This book tells the story of Italian Renaissance master Piero della Francesca (1411/13-1492) by focusing on four paintings he created over the span of his career. It also provides the first study of his small-scale devotional paintings, including the exquisite Saint Jerome and a Donor. One of today's most prominent scholars narrates the painting's mysterious history and uncovers new insights gleaned during its recent study and restoration. The authors explore the relationship between this painting and other works made by Piero for private devotion, including one of his last and most striking paintings, the magnificent Madonna di Senigallia. New research describes the complex relationships between Piero and his patrons and other contemporaries. This book brims with revelatory details about Piero's work that will intrigue both casual readers and devoted fans of the artist, and will form a gateway to a larger analysis of Piero's overall body of work.
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