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V & A Publishing
V & A Publishing
Figured in Marble
Baker Malcolm
,
2009
This work provides a study of 18th-century British sculpture, illustrated with sculptures from both the V&A and the J. Paul Getty Museum, and also pieces from private collections and churches. Topics include: writing sculptural histories; design, making and materials; and categories and genres.
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English Pottery: 1620 — 1840
Hildyard Robin
,
2011
This new, beautifully illustrated study is the first to give a broad picture of the pottery trade in the 17th to 19th centuries, covering all the main types of ware. It provides an overview of how trade influenced production and explores themes such as fashions for collecting and the export market. English Pottery sets out to fill the gap between the literature increasingly preoccupied with specialised areas of British ceramics, and recent catalogues which examine private collections of fine hand-picked specimens. Based around the comprehensive collections of the Victoria and Albert Museum, which curators began to assemble as early as the 1840s, the book explores the wider story of the development of British ceramics, dividing the subject variously by material, form, decoration and broader themes. Methods of manufacture are fully explored, as well as the trade in pots and the passion for collecting. Intended as a companion to Hilary Young's English Porcelain 1745-1795, this book is wider in scope and provides a much-needed overview of the richness and variety of the British ceramic tradition.
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The V&A Book of Western Ornament
Snodin Michael
,
2011
Ornament has been central to Western culture for thousands of years, and surrounds us every day, whether on buildings, clothes and accessories, cars or corporate products. Behind this desire to decorate lies a need to give meaning to the things we make and live with: to make them distinctive and give them added value.»The V&A Book of Western Ornament» tells the story of European ornament from 1450 to the present, from its decorative origins to its relevance in the consumer culture of today.
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Balenciaga
More than three decades after his death, the Spanish couturier Cristobal Balenciaga (1895-1972) has become a legendary figure in the history of 20th century fashion. His name is now a byword for clothes executed to the highest standards and characterized by their sculptural quality, deft manipulation of textiles, and dramatic use of colour. This absorbing new book, with breathtaking illustrations, examines Balenciaga's design and business practice, placing him firmly in the context of the time and country in which he learnt his trade and the international fashion scene in which he subsequently matured and triumphed. It accompanies the major exhibition The Golden Age of Couture, opening at the V&A in September 2007.
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V&A Gallery of Fashion
Wilcox Claire
,
2013
Spanning four centuries, the V&A's Fashion Collection is the most comprehensive in the world, housing unrivalled collections of dress, accessories, shoes and hats from the seventeenth century to the present day. This concise volume perfectly encapsulates the collection, from rare eighteenth-century gowns and exquisite eighteenth-century bodices to 1930s evening wear, post-war couture and show-stopping ensembles by contemporary designers. Fashion designers represented include Charles Frederick Worth, Madeleine Vionnet, Cristobal Balenciaga, Coco Chanel, Christian Dior, Mary Quant, Stephen Jones, Vivienne Westwood and Alexander McQueen.
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Spitalfields Silks
This attractive series reveals the V&A's spectacular and extensive pattern collections. Each title in the series includes a free CD of high resolution images. Spitalfields Silks displays delightful floral designs alongside quirky, stikingly modern silks, all produced in eighteenth-century London.
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Novelty Patterns (+ Audio CD)
This attractive series reveals the V&A's spectacular and extensive pattern collections. Each title in the series includes a free CD of high resolution images. This limited edition collector's slipcase contains Garden Florals, Owen Jones, Novelty Patterns and Kimono.
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Masterpieces of Chinese Painting: 700 — 1900
Painting has always been regarded by the Chinese as a supreme art, its merits equal to those of poetry and philosophy. The tradition can be traced over 2,500 years, but — from very early on — many Chinese paintings were made to be viewed on a temporary basis, displayed for just a few hours, or perhaps several weeks. The masterpieces of the form have been seen very rarely, and then only by few, particularly in the West. This spectacular book accompanies a major V&A exhibition that brings together some of the world's masterpieces on silk and paper — many of which will be displayed only for a short time. Presenting works from the richest and most representative collections in the world, the book is an authoritative guide to these great works, and includes the best paintings by the greatest masters as well as those by lesser-known artists. Written by a team of international scholars, the book explains the background against which Chinese painters worked, as well as the original social context of the paintings and their display in the palace, temple, studio or tomb.
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Baroque and Later Ivories
Over 500 baroque and later ivories from the V&A's outstanding collection are illustrated and discussed in this scholarly catalogue. This publication includes every ivory sculpture made after 1550 from a collection comprising German, Austrian, Netherlandish, British, French, Italian, Scandinavian, Russian and Spanish pieces, as well as examples from the Philippines, Goa, Sri Lanka and South America. The range of objects is extensive: statuettes, reliefs, tankards, boxes, cabinets, snuff rasps and cutlery handles are all represented. These small-scale sculptures might render dramatic scenes from mythology, present exquisitely carved portrait likenesses on a small scale, or depict religious narratives. The high quality of the V&A's holdings is readily apparent; leading ivory sculptors to be found here include Francis van Bossuit, Benjamin Cheverton, Balthasar Griessmann, Joachim Henne, Johann Christoph Ludwig Lucke, David Le Marchand and Balthasar Permoser. In addition to detailed entries on each piece, the Introduction summarises the history and techniques of baroque and later ivory carving, while indexes of subjects and artists, in addition to a comprehensive bibliography, provide a full scholarly apparatus.
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Underwear Fashion in Detail
From camisoles to corsets, basques to boudoir caps and girdles to garters, Underwear: Fashion in Detail gets up close to some of the most intimate items in the V&A. The book traces the evolution of underwear, from rare examples dating from the sixteenth century and the exaggerated shapes of eighteenth-century courtly undergarments, to Dior's curvaceous 'New Look' girdles to contemporary lingerie by Agent Provocateur and Rigby and Peller. Meticulous colour photography shows these fascinating garments in close detail, while intricate line drawings reveal their construction. The book also highlights the work of designers such as Vionnet and Westwood, who have taken influence from underwear for their own outerwear creations.
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The Biba Years: 1963-1975
Hulanicki Barbara
,
2014
Founded as a boutique mail-order service in 1963, Biba — the brainchild of designer Barbara Hulanicki — quickly gained cult status, and outgrew several London premises before landing at 99 — 117 Kensington High Street in 1973 as 'Big Biba', 'the most beautiful store in the world'. This book tells the story of the Biba years, from the first ensembles, through the four iconic London shops, to the eventual flourishing of a lifestyle brand that revolutionized British retail and fashion culture. Featuring a wealth of previously unpublished material, including early fashion illustrations by Hulanicki and full-colour facsimiles of the six luxurious Biba catalogues, The Biba Years investigates the innovative ethos of the company — the first retailer to bring affordable fashion to the young consumers of the 1960s and '70s. Extensive garment photography documents the unique Biba 'look', while archival images provide a glimpse into the glamorous surrounds of the hugely popular London stores. An ideal companion to A to Biba: The Autobiography of Barbara Hulanicki (V&A, 2007), this beautiful book incorporates many personal insights from the designer and her contemporaries at Biba, and includes new illustrations by Hulanicki created specially for the publication. The Biba Years provides the last word on a fashion phenomenon, whose extensive impact on the fashion industry can still be felt today.
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The Golden Age of Couture: Paris and London 1947-1957
Wilcox Claire
,
2008
This lavish book focuses on Parisian and British couture between 1947 and 1957, a decade that Christian Dior described as fashion's 'golden age'. Dior's 'New Look' collection of 1947 shocked and delighted the fashion world, creating a style that symbolised a new femininity. The full skirts and hour glass silhouettes were considered highly decadent, synonymous with luxury and extravagance, in marked contrast to the austerity of the war years. Nevertheless, the 'New Look' caught the public imagination and ushered in a period of remarkable creativity. The Golden Age of Couture features stunning gowns and exquisite tailoring from designers such as Balenciaga, Balmain, Givenchy, and Dior as well as evocative photographs by the likes of Richard Avedon and Cecil Beaton.
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Horst: Photographer of Style
Brown Susanna
,
2014
Published to accompany a headline exhibition at the V&A, this book is the definitive celebration of the extraordinary photographic career of Horst P. Horst (1906 — 99). One of Vogue's most prolific and creative contributors, Horst worked in Paris and New York, photographing fashions by leading designers and making portraits of the century's stars. His important work made outside the realms of fashion photography is also included here. Horst excelled at nude studies and still-life photography, fusing Hellenic and Surrealist motifs and drawing inspiration from artists such as Salvador Dali. He captured the exquisite simplicity of natural forms — plants, shells and stones — transforming them into abstract kaleidoscopic collages. His little-known travel photographs reveal his fascination with ancient cultures, landscapes and architecture and, in later years, Horst photographed some of the world's most beautiful homes for Vogue and House & Garden. His work epitomizes the interconnections between art, fashion and high society. Today, Horst's photographs continue to inspire art directors and photographers, and he ranks alongside Irving Penn and Richard Avedon as one of the great masters of twentieth-century photography. Accompanies the V&A exhibition Horst: Photographer of Style, 6 September 2014 to 4 January 2015.
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French Porcelain: Of the Eighteenth Century
Maxwell Christopher
,
2010
Throughout the eighteenth century, France was a place of intense scientific enquiry and innovative research and one of the most exciting discoveries of the period was the successful manufacture of porcelain. Known as 'white gold', porcelain was produced for use in all aspects of fashionable public and private life; from banquets to boudoirs, from tea drinking to the toilette. Of all the factories in France, the most renowned was the Royal Porcelain Manufacture at Sevres. The protection of Louis XV and the patronage of his mistress, Madame de Pompadour, drew to Sevres the best alchemists, designers and artists in Europe. The porcelain they produced was unequalled in quality, design and decoration. This book explores the V&A's dazzling collection of French porcelain.
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The Dolls' House: Colouring Book
Sutton Emily
,
2014
This delightful colouring book brings one of the V&A's favourite collections into your home. Drawn by Emily Sutton, illustrator of the best-selling Clara Button books, each page is based on a dolls' house from the V&A Museum of Childhood and is ready for you to personalize. The book is a journey through the rooms of a perfect dolls' house, from front door and reception to bedroom, via toy room, bathroom and pantry, and there is plenty to explore and make your own. Designed to be by turn charming, witty and fun, this is a perfect present and a fantastic souvenir.
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Chinese Ceramics: A Design History
Pierson Stacey
,
2009
Chinese ceramics are among the most widely admired and collected in the world. From elegant Song celadons to decorative Ming vases and colourful Qing famille rose, ceramics produced in China have influenced taste and daily life globally. This new design history draws on the V&A's comprehensive collection to look at the production, consumption, aesthetics and transfer of Chinese ceramics. Stunning new photography illustrates over 200 pieces, including previously unpublished objects. It also explores ceramics made in the twentieth and twenty-first centuries, from Republican period porcelain to propaganda ware and studio pottery, a first for any survey history of the subject.
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Art Nouveau Fashion
Rose Clare
,
2014
The Art Nouveau movement overlapped with late Arts and Crafts in the 1890s and early modernism in the 1910s, combining the exquisite workmanship and natural forms of the former with the innovative materials, forms and practices associated with the latter. Art Nouveau Fashion provides a fascinating introduction to the style, defining it, and placing it in design history by focusing on a number of important designers — Worth, Lucile, Paquin, Poiret — and key topics, such as clients and artists, jewellery and accessories, and advertising. Art Nouveau fashion questioned conventional gender norms with daring flamboyance, presenting women in suits, influenced by tailored menswear, for the street and overtly seductive lingerie for the boudoir. Fashionable corsets manipulated female bodies into increasingly artificial forms, while advertising seduced consumers with images of scantily clad women. The movement's radicalism and openness to diverse design influences directly influenced the counter-culture of the late 1960s, inspiring boutiques in London's fashionable Carnaby Street and San Francisco's Haight-Ashbury. Art Nouveau fashion continues to resonate today — and this book presents it with a wealth of unseen images and historic sources.
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Modern Fashion in Detail
Claire Wilcox
,
1997
Modern Fashion in Detail explores the creative genius of couturiers from Balenciaga to Vivienne Westwood through the detail of their creations. The book is split into seven sections: seams, gathers, tucks and pleats, collars, cuffs and pockets, buttons, bows, beads and sequins and applied decoration are all looked at in intricate detail. The craftsmanship is shown off with lively commentary, line drawings and stunning close-up photography.
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Bill Gibb: Fashion and Fantasy
Iain R. Webb
,
2008
Crowned ‘Designer of the Year’ by Vogue in 1970, Bill Gibb (1943–1988), barely out of college two years and yet to launch his eponymous line, was to become a major name in fashion history. Gibb’s career was prolific, and truly visionary at its finest, but sadly short-lived. His legacy, continued relevance and importance as a designer is apparent today in the work of designers from Giles Deacon to John Galliano. Famous for his love of romance, soaring flights of fancy and devil-may-care dynamic, Gibb’s wildly eccentric combinations of checks, tartans, stripes, floral prints and Fair Isle Knits had never been seen before. T his stunning book explores Gibb’s background, long-time fascination with historical imagery and the themes that inspired his designs. Award-winning fashion journalist Iain R Webb is a professor at Central Saint Martins; he writes for The Independent and New York Times magazine.
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Che Guevara: Revolutionary and Icon
Trisha Ziff
,
2006
The photograph of Ernesto ‘Che’ Guevara by Alberto Korda, taken on 5 March 1960, is thought to be the most reproduced image in the history of photography. It has become an icon, symbolising anti-establishment thought and action, as relevant in our fractured world today as it was in the revolutionary and Pop idiom of the 1960s. This book brings together photography, posters, film, fine art, clothing and artefacts from the world over to trace Che’s transformation from heroic guerilla, through Pop celebrity to symbol of radical chic. Korda’s Che is an ideal abstraction, an icon to be appropriated by counter-culture, in whatever guise. The story of Che has many tellings and here they are brought together that gives new life to the legend.
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