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Fyodor Dostoevsky
Fyodor Dostoevsky
The Karamazov Brothers
Fyodor Dostoevsky
,
2010
This is translated by Constance Garnett, with an introduction by A. D. P. Briggs. As Fyodor Karamazov awaits an amorous encounter, he is violently done to death. The three sons of the old debauchee are forced to confront their own guilt or complicity. Who will own to parricide? The reckless and passionate Dmitri? The corrosive intellectual Ivan? Surely not the chaste novice monk Alyosha? The search reveals the divisions which rack the brothers, yet paradoxically unite them. Around the writings of this one dysfunctional family Dostoevsky weaves a dense network of social, psychological and philosophical relationships. At the same time he shows — from the opening 'scandal' scene in the monastery to a personal appearance by an eccentric Devil — that his dramatic skills have lost nothing of their edge. «The Karamazov Brothers», completed a few months before Dostoevsky's death in 1881, remains for many the high point of his genius as novelist and chronicler of the modern malaise. It cast a long shadow over D. H. Lawrence, Thomas Mann, Albert Camus, and other giants of twentieth-century European literature.
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White Nights: A Gentle Creature, The Dream of a Ridiculous Man
Fyodor Dostoevsky
,
2009
In these stories, Dostoevsky explores both the figure of the dreamer divorced from reality, and also his own ambiguous attitude toward utopianism, themes central to his great novels. In White Nights, the apparent idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from living life. A Gentle Creature and The Dream of a Ridiculous Man show how withdrawal from reality can end in spiritual desolation as well as moral indifference, and how, in Dostoevsky's view, the tragedy of the alienated individual can only be resolved by the rediscovery of a sense of compassion and responsibility toward other people. No other edition brings together these specific stories — which are most interesting when read alongside one another — and the new translations capture all the power and lyricism of Dostoevsky's writing at its best.
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