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Damiani editore
Dioramas
Sugimoto Hiroshi
,
2014
Hiroshi Sugimoto began to photograph his Dioramas series, a body of work that spans almost four decades, when he moved to New York City from Japan in 1974. While looking at the galleries in the American Museum of Natural History, he noticed that if he looked at the dioramas with one eye closed, the artificial scenes — prehistoric humans, dinosaurs, and taxidermied wild animals set in elaborately painted backgrounds — looked utterly convincing. This visual trick launched his conceptual exploration of the photographic medium, which continues today. Through his career, Sugimoto has addressed the photograph's power to create a history. He has said, photography functions as a fossilization of time. In the Dioramas series, Sugimoto persuades the viewer that the photographer has captured a lived moment in time, although each scene is an elaborately crafted fiction. Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to homo sapiens' destruction of the earth — and then to a renewal of the earth, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist's creation myth.
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Paradise
Twombly Cy
,
2014
This book accompanies the exhibition Cy Twombly: Paradise at Museo Jumex in Mexico City from June 4-October 12, 2014. This is the first time a comprehensive exhibition of the American artist Cy Twombly's work has been mounted in Latin America. The exhibition and book include works on paper, paintings, and sculpture that span Twombly's career, from early works of the 1950s to the Camino Real series of paintings that he completed shortly before his death in 2011. The book includes 57 works of art, along with double-page, full-bleed detail photographs that capture Twombly's dramatic gestural style and lush palette.
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Surf
Southern California, 1960. John Severson founded SURFER, the first magazine to celebrate and revolutionize the art and sport of surfing, establishing it as a phenomenon in Pop culture. This volume explores Severson's surf odyssey through painting, photography, film, publishing, and dropping out to live the island dream. John Severson's SURF is a trip to the birth of surf culture and a testament to our Ocean.
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Kenzine 2
KENZINE is a collaboration between TOILETPAPER magazine and KENZO. Named after KENZO's online blog, KENZINE has been published in alimited run of 1500 numbered copies. TOILETPAPER was founded in 2010by Maurizio Cattelan and Pierpaolo Ferrari with the art direction of MicolTalso as a picture-based magazine. Photos published in the magazinehave been applied to a variety of products and media, exploring themultiple possibilities for images to live beyond the page. In this frame, theTOILETPAPER creative team, met with KENZO and ideated the advertisingcampaign for the Fall-Winter 2013 and Spring-Summer 2014 season.
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From the Hip
It was precisely this lucky scoop, portraying the young and fairly sleepy Rolling Stones at the tables of a London café, that baptised John “Hoppy” Hopkins’ career (and the pages of this book), photographer of the Stones, the Beatles and many others, famous and not, on the 60’s cultural and political scene. Thanks to an extraordinary ability to step into various worlds, over the years Hopkins’ lens has collected the most diverse personalities: from beat poet Allen Ginsberg to the “holy idols” of black American music (Louis Armstrong, Ray Charles, Duke Ellington) right on to pacifist leaders Martin Luther King and Malcolm X. But the 150 plus photos also document the “peace & love” marches, young heroin users, bikers, Mods, tattoo artists and, more generally, all the outsiders of the 60’s counterculture. Setting aside his Cambridge degree in physics and a promising career as a nuclear physicist, John Hopkins drifted into photography when someone made him a present of an ordinary camera. The Sunday Times, The Observer, Melody Maker, Jazz Journal and Peace News are only some of the publications he contributed to before founding, with the help of Paul McCartney, the first British underground daily, The International Times. Hopkins must also be credited with opening the first psychedelic club in London, the legendary UFO, and with being one of the most active supporters, towards the mid 60’s, of a young band then unknown: Pink Floyd.
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Bob Richardson
Terry Richardson
,
2010
Together with photographers of the calibre of Richard Avedon, Helmut Newton and David Bailey he literally revolutionised fashion photography and his work was seminal for photographers such as Peter Lindbergh, Bruce Weber and Steven Meisel. The first book on the genius of Bob Richardson, celebrated in this monograph by his equally well known son Terry. Through 200 black and white photos the book rediscovers the art of a photographer who left his mark on the pages of the world’s most important magazines. From “Vogue” to “Harper’s Bazaar” his refined and seductive photos are characterised by an extraordinary narrative ability while at the same time showing the rough edges of a rebellious generation where drugs, elegance, sex, beauty and alcohol cohabited perfectly. Although Richardson destroyed much of his work, Terry (his son by second wife Annie Lomax) wanted to edit this book which also includes an autobiographical piece by his father, together with the reproduction of some editorials in which the photos are seen in their original, vintage layout. Bob Richardson (1928-2005) grew up in Long Island, N.Y. and got his training at the Parsons School of Design and the Pratt Institute, but without taking his diploma. Struck at the age of thirty by a serious mental disturbance which, together with alcohol and drug abuse, led him to a life of vagabondage during the 80’s, Richardson made a comeback in the 90’s, hurling heavy accusations at the fashion system and antagonizing the publishing world.
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